“Only they who believeth in their guitar quest shall be granted passage”

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  • What Happened to Fernandes Guitars? A Look Back at the Legendary Brand

    What Happened to Fernandes Guitars? A Look Back at the Legendary Brand

    If you’ve been in the guitar world for a while, chances are you’ve heard of Fernandes Guitars—or maybe you even owned one. Look at this gorgeous Fernandes FR-55 MTV guitar of mine:

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    Whether it was a Strat-style copy, a Burny Les Paul, or their famous Sustainer-equipped axes, Fernandes was once a serious player in the global guitar scene. But what happened to them? Where did they go? Let’s take a walk down memory lane and unpack the rise—and quiet fall—of this iconic Japanese brand.

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    Fernandes Brief History


    Fernandes started out in Japan back in 1969, originally as a flamenco and classical guitar manufacturer. But by the 1970s, they shifted gears and dove into electric guitars just as rock was booming. They gained attention for making incredibly well-built copies of American classics—Strats, Teles, and especially Gibson Les Pauls under the Burny brand.

    The craftsmanship was solid. Fernandes guitars made in Japan during the ’70s and ’80s were known for their attention to detail, great necks, and sometimes even better build quality than the originals they were mimicking.

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    And let’s not forget their Sustainer system—a built-in, controlled feedback device that allowed infinite sustain without cranking your amp. It was ahead of its time and used by guitarists like The Edge (U2), Steve Vai, and Robert Fripp (King Crimson). Fernandes had tech that no one else did.

    Global Expansion then… Decline


    By the late ’80s and early ’90s, Fernandes had become a global name. They had offices in Los Angeles and began producing guitars outside of Japan (notably in Korea and China) to keep costs down for the export market.

    The U.S. division marketed unique designs like the Vertigo, Ravelle, and Monterey, and even signed some cool artists like Billie Joe Armstrong of Green Day (remember his black Strat with stickers?) and Brad Gillis of Night Ranger.

    But somewhere along the way—maybe in the 2010s—the brand started to lose momentum. New models stopped coming out. Distribution got spotty. Support became non-existent. Their U.S. website disappeared. And customers started asking, “Is Fernandes still in business?”

    By the way, I feel so overwhelmed by this event since I am Fernandes guitar fans. I am still showing off this Fernandes FR-55 MTV guitar video to friends:

    Fernandes FR 55 MTV guitar


    Turns out, the company never made a formal announcement—but they quietly stopped producing new guitars in many markets. The original Japanese branch still exists in some form, mostly selling accessories and parts, but the guitar side of Fernandes seems pretty much done.

    There’s no official story why Fernandes Shut Down, but a few reasons seem likely:

    Intense competition – Brands like Ibanez, ESP, and Schecter dominated the mid-range and high-end Japanese market. Fernandes couldn’t keep up.

    Lack of innovation – Aside from the Sustainer, Fernandes didn’t evolve their product line much in the 2000s. Some say their designs began to feel outdated BUT, I have disagree. Their designs are pretty, eternal and still scream wonderful tones:

    Fernandes FR 55 MTV solo checksound

    Poor global marketing – Unlike other Japanese brands, Fernandes struggled to build a consistent international presence, especially online.

    Factory outsourcing – Moving some production out of Japan led to quality inconsistencies, which hurt their reputation. But, so far I collected theirs, those guitars are still superior in their price range.

    Are Fernandes Guitars Still Worth Buying?

    Absolutely—especially the older Japanese-made ones. If you find a Burny LP from the ’80s or a Fernandes Strat from the ’90s, chances are it’s a hidden gem. These guitars are known for killer tone, great hardware, and pro-level playability, Even their entry-level overseas products such like this one:

    Fernandes strat-style guitar

    The Sustainer-equipped models are also still highly sought after. In fact, the Fernandes Sustainer circuit is still considered one of the best around. Some guitarists even buy old Fernandes just to gut them for the Sustainer.


    Fernandes might not be around like they used to be, but their legacy lives on. They were a huge part of the vintage Japanese guitar boom, they innovated with tech like the Sustainer, and they helped shape the sound of countless players.

    If you ever see a Fernandes guitar in a pawn shop or online for a good price, don’t sleep on it. You might just score a piece of guitar history.

  • Höfner Galaxie Bass Retro Vibes, Smooth Play

    Höfner Galaxie Bass Retro Vibes, Smooth Play

    If you’re into vintage-looking gear with a unique sound, the Höfner Galaxie Bass might just be your next favorite find. It’s not your average bass—this one’s got serious 60s style, a comfy feel, and a tone that’s perfect for indie, blues, or anything with a retro edge.

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    The first thing you’ll notice about the Galaxie is the look. That offset body shape, old-school slider switches, and classic finishes scream vintage cool. It kind of feels like the bass your dad played in a garage band, in the best way possible. It’s lighter than most modern basses, and the short scale neck makes it super easy to play—especially if you’re more of a guitarist jumping into bass or just prefer something more compact.

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    Plug it in, and you’ll hear why this bass has such a cult following. It got A punchy, mid-focused tone with warm low-end (though not super deep) yet also has clear highs that still feel smooth. It’s great for stuff like indie rock, classic blues, garage, or even lo-fi recordings. The single-coil pickups give it some bite, but it’s not overly aggressive. It sits really well in a mix and adds that vintage flavor to your track or live set.

    It’s not made for modern metal or slap bass—but that’s not what it’s trying to be.

    This bass is super fun to play. The 30” scale makes it feel more like a guitar than a full-sized bass, so the frets are easier to reach and fast to move around. Perfect for bass players who want something smooth and simple—or guitarists who want to dabble in bass without the stretch.

    hofner galaxie bass guitar

    You may love it because it looks amazing (seriously, it turns heads), Lightweight and comfortable feels and Easy to play. Its short scale is beginner-friendly and has unique tone that’s full of character. What you might need to consider is that this bass is not super versatile for modern genres since it has fewer tone-shaping options than active basses. and it might be hard to find brand new.

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    But overall if you’re looking for something different—something that looks cool, plays great, and has a tone that stands out—the Höfner Galaxie Bass is a solid pick. It’s got all the vintage charm without the vintage price (if you can find one), and it’s just a fun instrument to have in your collection. here’s my checksound video:

    Drop a comment below and let me know what you think. And if you want more gear reviews, tone tips, or playing ideas, hit that subscribe button or check out my other content!

  • It Might Get Loud (2008)

    It Might Get Loud (2008)

    What does inspire me beside guitar playing and songs? Of course it’s movies. This movies is just one of many of them.

    It Might Get Loud” (2008) is a documentary film directed by Davis Guggenheim that explores the personal and musical journeys of three legendary guitarists from different generations and genres:

    Jimmy Page (Led Zeppelin) – representing classic rock and blues-based hard rock.

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    Graham Wiltshire/Redferns/Getty Images

    The Edge (U2) – known for his innovative use of effects and ambient soundscapes.

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    Rmv/Shutterstock

    Jack White (The White Stripes, The Raconteurs) – rooted in raw blues, garage rock, and DIY ethos.

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    The film brings the three guitarists together in one room to talk, jam, and share stories about how they discovered the guitar, their influences, songwriting processes, and unique playing styles. It blends interviews, archival footage, and intimate solo segments where each musician reflects on their early days, iconic riffs, and philosophies on music. The film culminates in a jam session where the trio plays together, notably performing songs like “The Weight” by The Band.

    check my complete list on Benable Musical movies inspire me so much

    This movies has complete good stuff from their Personal connections to the guitar those guided them to he evolution of tone and technique couses Contrasts between their style and approach plus the emotional power and cultural impact of the electric guitar. It’s reflective, passionate, and inspiring for musicians and music lovers alike.Though they come from different eras and sounds, Page, The Edge, and White share a deep emotional connection to the guitar. “It Might Get Loud” celebrates the instrument’s ability to express identity, rebellion, and soul. You would not regretted it.

  • PRS SE made in Indonesia, is it worth the name Paul Reed Smith guitar?

    PRS SE made in Indonesia, is it worth the name Paul Reed Smith guitar?

    PRS SE Custom 24, yes, before we talk about my , let’s check this stuff. This kind of questions happen all the time since USA guitars built their lineups overseas. People tend to underestimate the built quality of factories in developing countries because of poor quality control and cheap parts, even the risk of being stolen and sold illegally which would cost a big loss for company brand and products.

    First doubt went to Japanese guitars compared to US made, but Japan guitars fought back with even better qualities. years after that, the doubt went move to china, Korea and Indonesia. There are so many minor details which showed that the overseas productions is just crap with muddy pickups, unfinished neck and poor fret crowning etc. and people started to think that it’s just blind brand developments with profit oriented only.

    BUT, I think Paul Reed Smith guitars made a big difference here. I just got one of its series, the PRS SE custom 24 guitar Amber Fade limited edition and it’s just like Paul said:

    “It looks good, it plays good, and it sounds good”

    i thought it was a overly bold statement but now i get it

    PRS SE Ltd Edition Custom 24 Amber Fade has nice finish, the glossy one, great color. The knobs work smooth and fine (although it’s too slippery for me 😀 ) the bridge, saddles and nut are great, it is set for the 0.09 – 0.46 strings gauge so it plays like butter, great precision and craftsmanship

    i made the sound check:

    PRS SE Custom 24 Amber Fade Ltd Edition

    and it sounds great!

    one positive thing after another is, the PRS SE keep their high standards since their Korean made… i fell the same vibes with the early PRS SE model made in korea

    Paul Reed Smith SE custom 22 semi hollow
    Paul Reed Smith SE Mark Tremonti series

    and definitely it pushes away my thoughts in doubting the “made in Indonesia” guitars. this guitar is worth to collect.

    prs se custom 24 amber fade
    Paul Reed Smith SE Ltd Edition Custom 24 Amber Fade
    prs se custom 24 amber fade
    Paul Reed Smith SE Ltd Edition Custom 24 Amber Fade
    prs se custom 24 amber fade
    PRS SE Ltd Edition Custom 24 Amber Fade
    Paul Reed Smith custom 24
    Paul Reed Smith SE Ltd Edition Custom 24 Amber Fade
    Paul Reed Smith custom 24
    PRS SE Ltd Edition Custom 24 Amber Fade