“Only they who believeth in their guitar quest shall be granted passage”

Category: acoustics

  • Samick Greg Bennett D7-12CE Acoustic-Electric Guitar Review

    Samick Greg Bennett D7-12CE Acoustic-Electric Guitar Review

    The Samick Greg Bennett D7 12CE is a 12-string acoustic-electric guitar that combines traditional craftsmanship with modern versatility, offering musicians a powerful, budget-friendly instrument. Designed by Greg Bennett and manufactured by Samick, a South Korean company with a reputation for quality affordable guitars, the D7/12CE is part of the Beaumont series, paying homage to the iconic dreadnought style. In this review, we’ll explore its design, sound, playability, electronics, and overall value to help you decide if it’s the right fit for your musical journey.

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Back

    Design and Craftsmanship

    The Samick Greg Bennett D7 12CE boasts a classic dreadnought body, known for its large size and robust projection, making it a staple in acoustic guitar design. Its key specifications include:
    – Body Shape: Dreadnought
    – Top: Solid cedar
    – Back and Sides: Rosewood (laminate, 3-piece back)
    – Neck: Nato (Eastern mahogany)
    – Fretboard: Rosewood, 12” radius
    – Scale Length: 25.5” (64 cm)
    – Frets: 20
    – Tuners: Grover A102C, 14:1 ratio
    – Bridge: Rosewood
    – Electronics: Built-in ClearWave 10 preamp and pickup system
    – Inlays: Slotted square
    – Binding: 8-ply
    – Nut Width: 1 11/16”

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Clear Wave 10 Preamp
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Clear Wave 10 Preamp
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Inside Label
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Inside Label

    The solid cedar top paired with rosewood back and sides delivers a rich, warm tone with excellent harmonic sparkle, particularly in the high end. The 3-piece rosewood back, with its decorative seams, adds aesthetic appeal, while the nato neck ensures durability and stability. The rosewood fretboard feels smooth, and the Grover tuners provide reliable tuning stability, crucial for managing the tension of 12 strings. The craftsmanship is impressive for the price, with clean binding, a glossy natural finish, and attention to detail that rivals more expensive models.

    However, some used models have been noted to show minor cosmetic blemishes, such as finish imperfections near the neck, though these don’t affect playability or sound.

    Sound and Performance

    Samick Greg Bennett D7 12CE guitar shines with its balanced, resonant tone, characteristic of a 12-string dreadnought. Unplugged, it produces a full, vibrant sound with a strong low-mid range and bright, shimmering highs, thanks to the cedar top and rosewood back. The dreadnought body provides ample volume and projection, making it ideal for filling a room without amplification. It excels in genres like folk, country, pop, and blues, where the 12-string’s lush, jangly timbre adds depth to chord progressions and arpeggios.

    When plugged in, the built-in preamp and pickup system captures the guitar’s natural warmth effectively. The preamp offers bass, mid, and treble controls, allowing players to shape their amplified tone for live performances or recording. Feedback is minimal even at higher volumes, making it stage-ready. The electronics are reliable, delivering a clean, nuanced sound that complements both fingerstyle and strumming.

    Playability

    Samick Greg Bennett D7 12CE offers a comfortable playing experience despite the inherent challenges of a 12-string guitar. Its slim neck profile and low action make fretting and bending easier, though the 1 11/16” nut width may feel slightly narrow for players with larger hands. The rosewood fretboard and 20 frets provide ample range for both chords and lead work. The 25.5” scale length is standard for dreadnoughts, balancing tension and playability for the doubled strings.


    While 12-string guitars can be more demanding to play due to increased string tension, the D7/12CE’s setup is forgiving for beginners and intermediates. A professional setup is recommended for optimal performance, especially for used models, to ensure the action and intonation are dialed in.

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Back

    Value and Availability

    Priced between $250 and $400 new (with used models as low as $150-$250), Samick Greg Bennett D7 12CE offers exceptional value. It competes with brands like Yamaha, Alvarez, and Epiphone in the budget 12-string market but stands out with its solid top, Grover tuners, and versatile electronics. Compared to Samick’s D7 (non-electric) or Avion series, the D7 12CE’s amplified capabilities and dreadnought power make it a better choice for gigging musicians.
    The guitar is available through retailers like Reverb, Guitar Center, Sweetwater, and smaller music shops. Its relative scarcity in big-box stores reflects Samick’s focus on smaller, specialized retailers who prioritize quality service.

    On forums, opinions vary. Some players praise its sound and value, with one user calling it a “great deal” for a 12-string at $400, while others suggest saving for a Taylor or Martin for superior quality. However, for budget-conscious players, the D7/12CE’s combination of features and affordability is hard to beat.

    Pros and Cons

    Pros:
    – Rich, balanced 12-string tone with excellent projection
    – Solid cedar top and quality materials for the price
    – Reliable Grover tuners and built-in electronics
    – Comfortable playability with low action
    – Affordable, typically $250-$400 new
    – Suitable for live performances and recording

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Body Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Body Back

    Cons:
    – Laminate back and sides may lack the resonance of solid wood
    – Slightly narrow nut width for some players
    – Used models may have minor cosmetic imperfections
    – Less brand prestige compared to Taylor or Martin

    Who Is It For?

    The Samick Greg Bennett D7-12CE guitar is ideal for beginner to intermediate players seeking an affordable 12-string acoustic-electric guitar with stage-ready features. It’s perfect for singer-songwriters, folk and country players, or anyone wanting the lush, complex sound of a 12-string without breaking the bank. While it may not match the resonance of premium solid-wood guitars, its quality construction and versatility make it a standout in its class.

    Thoughts

    The Samick Greg Bennett D7-12CE guitar is a compelling choice for musicians on a budget who need a versatile 12-string guitar. Its solid cedar top, rosewood back, and reliable electronics deliver a rich, balanced tone suitable for both acoustic and amplified settings. With comfortable playability and thoughtful design, it punches above its price point, making it a worthy contender in the entry-level acoustic-electric market. Whether you’re strumming in a coffee shop or recording in a studio, the D7-12CE offers quality and value that’s hard to overlook.

  • Zoom A2.1u Acoustic Guitar Effects Pedal

    Zoom A2.1u Acoustic Guitar Effects Pedal


    Zoom A2.1u Acoustic Guitar Effects Pedal with USB is a versatile multi-effects pedal designed specifically for acoustic guitarists, offering a robust set of tools to enhance tone and performance. With its 32-bit DSP processing, 96kHz sampling rate, and a wide array of effects, this pedal aims to restore the natural resonance of an acoustic guitar while providing creative flexibility for live and studio settings. After exploring its features, sound quality, and usability, here’s a comprehensive review based on user feedback and product specifications.

    Overview

    The Zoom A2.1u is part of Zoom’s A2 series, designed to address the common issue of acoustic guitar pickups producing a thin, string-heavy sound. It incorporates advanced sound modeling to emulate the body resonance and spatial ambiance of a miked acoustic guitar, even when played through an amplifier or PA system. The pedal includes 47 effects across eight modules, 40 preset patches, 40 user-programmable patches, a built-in tuner, a drum machine, and an expression pedal for real-time control. Additional features like a USB interface for recording and an XLR output for direct PA connectivity make it a compelling choice for gigging musicians and home recordists alike.


    Sound Quality

    Zoom A2.1u excels at enhancing the natural tone of an acoustic guitar, particularly when used with piezo or magnetic pickups. Its 24-bit/96kHz sampling and ZFX-3 32-bit DSP chip deliver clean, high-fidelity sound with minimal noise (100dB signal-to-noise ratio). The pedal’s modeling technology simulates the sonic characteristics of iconic guitars like the Martin D-28, Gibson SJ-200, and Ovation Adamas, allowing players to emulate signature tones. Users praise the clarity of the XLR output and the warmth added by effects like the tube preamp simulation and subtle chorus settings.
    However, the reverb effects, particularly the Hall Reverb, receive mixed feedback. Some users find them “washed out” or “muddy,” lacking the depth needed for professional live settings. The compressor and limiter, while functional, are criticized for limited parameter control, missing traditional settings like attack, decay, and threshold, which can make fine-tuning difficult for discerning players. Effects like flanger and phaser are seen as less practical for acoustic gigs, with some users suggesting Zoom should have focused on refining core effects like reverb, EQ, and compression instead of including “cheesy” extras.
    Standout effects include the delay (up to 5000ms), which pairs well with reverb for lush soundscapes, and the chorus options (mono, stereo, and ensemble), which add body without overpowering the guitar’s natural tone. The feedback control feature is a highlight, effectively detecting and attenuating feedback points, making it a valuable tool for live performances.


    Features

    Zoom A2.1u is packed with features tailored for acoustic guitarists:
    Effects and Modules: 47 effects, including compression, EQ, modulation, delay, reverb, and guitar modeling. Up to eight effects can be used simultaneously across eight modules.
    Global Module: Includes AMP SELECT (combo, bright combo, stack) and PICKUP SELECT (piezo, magnetic, single-coil, humbucker) to optimize the pedal for different setups.
    EQ Flexibility: Offers a six-band linear EQ or a two-band parametric EQ, optimized for acoustic guitar frequencies (e.g., peaking filters at 320Hz, 500Hz, 1.2kHz, 6.3kHz).
    Expression Pedal: Allows real-time control of parameters like volume, modulation rate, or delay/reverb mix, enhancing live performance dynamics.
    USB Interface: Enables direct recording to a computer, with included Cubase LE software for DAW integration.
    Tuner and Drum Machine: A chromatic tuner with a 435–445Hz calibration range and 40 PCM-based rhythm patterns for practice or live backing.
    XLR Output: Provides a balanced connection with pre/post switch and ground lift for PA or mixer integration without a DI box.
    Build: Sturdy metal chassis with rubber damping ensures durability, though some users note the 2.65–3.44-pound weight (depending on source) feels substantial for a compact pedal.


    Ease of Use

    Zoom A2.1u’s interface is intuitive, with three analog-style knobs for adjusting parameters like compressor sensitivity, delay feedback, or patch levels. The two-digit LED display is functional but requires referencing the manual to decode two-letter parameter codes, which can be a learning curve for beginners. Programming patches is straightforward, and the fast patch change speed (8ms) ensures seamless transitions during performances. The expression pedal and footswitches are responsive, and the tuner is easily accessible by pressing both footswitches simultaneously. However, the sheer number of effects can feel overwhelming, with some users preferring simpler setups for a natural acoustic sound.

    Build Quality and Value

    Zoom A2.1u’s solid metal chassis and shock-absorbent rubber damping make it roadworthy, with users reporting durability even after years of use. It operates on four AA batteries (lasting ~6–7.5 hours) or an optional AC adapter, adding flexibility for gigs. Priced around $150–$180 when available (now discontinued), the A2.1u offers excellent value for its feature set, especially compared to single-effect pedals or DI boxes. However, its value is slightly diminished for players who find the reverb and compressor lacking, as they may need additional gear for professional applications.

    Pro

    Versatile Tone Shaping: Guitar modeling, chorus, and delay effects add depth and variety to acoustic tones.
    Feedback Control: Effective for live settings, with automatic or manual detection.
    USB and XLR Connectivity: Ideal for recording and PA integration.
    Built-in Tuner and Drum Machine: Convenient for practice and performance.
    Durable Build: Sturdy construction suitable for gigging musicians.
    Fast Patch Changes: 8ms switching speed ensures no lag in live settings.

    Cons

    Mediocre Reverb: Hall Reverb and other reverbs can sound muddy or lack depth.
    Limited Compressor/Limiter Controls: Lacks detailed parameters, frustrating for pros needing precise adjustments.
    Overabundance of Effects: Some effects (e.g., flanger, phaser) feel unnecessary for acoustic use, diluting focus on core features.
    Learning Curve: Two-letter display codes require manual consultation, which may slow initial setup.
    Discontinued: Availability is limited to used markets, potentially increasing costs for mint condition units.


    User Feedback

    Users generally praise Zoom A2.1u for its sound quality and versatility. One reviewer called it an “awesome, amazing acoustic guitar effects pedal,” highlighting its ability to mimic signature guitar sounds and enhance playing sensitivity when paired with a quality acoustic amp like the Crate CA125D. Another user appreciated its clean XLR output and customizable patches but noted the reverb and compressor shortcomings for professional gigs. On forums like The Acoustic Guitar Forum, players value the tuner and chorus/reverb effects but often bypass most effects for a natural sound, suggesting the pedal’s strength lies in subtle enhancements rather than extreme effects. Some report no noise issues, countering rumors of hum or interference, provided the pickup system is clean.


    Conclusion

    The Zoom A2.1u Acoustic Guitar Effects Pedal is a feature-rich, durable, and affordable option for acoustic guitarists seeking to enhance their sound for live performances or recording. Its strengths lie in its guitar modeling, clean output, and practical features like feedback control and USB connectivity. While the reverb and compressor fall short for some professional applications, the pedal’s versatility, built-in tuner, and drum machine make it a valuable all-in-one solution for hobbyists and semi-pros. For players who prioritize a natural acoustic tone with subtle effects, the A2.1u delivers, but those needing pristine reverb or advanced compression may require additional gear. Though discontinued, it remains a solid choice on the used market for its price and functionality.

    Rating: 4/5

    Zoom A2.1u Recommended for: Acoustic guitarists looking for a compact, multi-purpose pedal for gigs, practice, or recording, who don’t mind tweaking to overcome reverb and compressor limitations.

  • Taylor 614CE Acoustic Electric Guitar

    Taylor 614CE Acoustic Electric Guitar

    Taylor 614CE acoustic electric guitar got that clean, modern Taylor vibe but with some character thanks to its maple back and sides. If you’re into acoustic guitars and looking for something that sounds bright, but still full and feels smooth, the Taylor 614CE is definitely worth checking out.

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    Taylor 614CE Acoustic Electric Guitar

    First thing you’ll notice is how easy it plays . the neck is slim, nicely comfortable, and doesn’t fight you when you’re moving up and down the frets. All playing styles feel effortless with this guitar whether you play chords, solos, even fingerpicking.

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    Taylor 614CE front body
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    Taylor 614CE Back body

    Sound-wise, it leans bright and clear. That maple gives the guitar a snappy tone with crisp highs and tight lows. It doesn’t get muddy even when you strum hard. Some people say maple sounds too sharp, but Taylor’s V-Class bracing really balances it out, adding warmth and sustain without killing that clarity.

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    Taylor 614CE front headstock
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    Taylor 614CE back headstock

    It has pretty sleek looks. The one I tried had a very shaded edge burst finish and nice detailing, flashy. It feels premium. Yes I want it that way. Another one, Taylor’s ES2 Electronics system keeps things natural when you plug in, no weird boxy tone or annoying feedback.

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    You might feel this is a little too clean or bright if you prefer a super boomy, super warm sound (like a rosewood body or dreadnought design). But if you like precise, clear tone that cuts through in a mix — especially for modern styles or live playing — the 614ce delivers your desires.

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    Taylor 614CE saddle bridge
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    Taylor 614CE fretboard

    Here some soundcheck from my youtube channel:

    Overall this guitar is clean, classy, easy to play, and sounds great both unplugged and plugged in. Not cheap, but definitely a “buy once, keep forever” kind of guitar. you might live eternal life with it. You’ll get hardcase and elixir strings pre-installed.

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    Taylor 614CE hardcase
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    Taylor 614CE label body
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    Taylor 614CE hardcase logo
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  • Eko Guitars N(e)XT series Electro-acoustic steel strings

    Eko Guitars N(e)XT series Electro-acoustic steel strings

    My another gears update is an electro-acoustic guitar. I found it on local shop, while i was surprised about how this Italian chitarra brand appeared here in my city. Surely i gave it a try and i found myself like it. the sound quality and the price are somehow equal (plus few advantages) to my ears, so when it comes to comparison with other guitars in its price range.

    this is what i got, the factory default:

    EKO guitars electro-acoustic steel strings NXT series

     

    actually I am impressed by things eko guitars has by factory default. The acoustic steel strings are great! feels like newly installed and vibrate the tones equally (though i can’t get used to it anyway, gotta change them with electric guitar strings). i got mono-jack cable and one Allen wrench for adjusting the truss rod. pretty neat for made in P.R.C guitars, and i guess that’s why Eko guitars, an italian guitar brand could came to my house.

    EKO guitars electro-acoustic steel-strings NXT series

    when it comes to comparison, i picked yamaha apx500ii as its rival, and this Eko N(e)XT guitar won… it has more serious saddle bridge than apx and the eko guitars preamp delivers equal tones, (my apx500ii doesn’t have middle tone, which i need them most for my solo playing)

    EKO guitars NXT series electro-acoustic preamp (2)

     

    EKO guitars NXT series electro-acoustic steel-strings (10)

    my first tryout on stage were my last night gig. i was fully satisfied, and i can see this guitar could do few more things after i set something up for this. you can check eko guitars at www.ekoguitars.it and i’m sure you will get more details, meanwhile i will set up things for the vlog. see ya

    Update

    now I have proper video for this guitar checksound. Here the guitar sound samples using TZ Audio Stellar X3 condenser mic: