“Only they who believeth in their guitar quest shall be granted passage”

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  • Technical notes, thoughts and considerations on the Fernandes Sustainer 101 Sustainer kit – by Sebas Honing

    Technical notes, thoughts and considerations on the Fernandes Sustainer 101 Sustainer kit – by Sebas Honing

    Recently I installed the 101 sustainer kit by Fernandes in my self-build guitar made from an oak coffeetable. I’ve made another of these guitars and I wanted this one to be as close to the original only with an added sustainer pickup and circuit.

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    Fernandes Sustainer 101 Sustainer kit
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    Fernandes Sustainer 101 Sustainer kit

    However, I had to compromise on some things:

    The original features Ibanez V7 and V8 pickups with their RG 5-way switching allowing the following pickup combinations:
    1. Bridge humbucker
    2. Bridge and neck pickup splitted
    3. Bridge and neck humbuckers
    4. Neck pickup wired with parallel coils
    5. Neck humbucker

    I Mostly use setting 1, 2 and 5. To get those 3 pickup configurations I need both pickups to be splittable. The biggest problem is that everything runs through the PCB circuit board which makes it nearly impossible to trace the signal path and therefor come up with alternative switching. The instructions only feature schematics for a Les Paul type guitar with 2 humbuckers (no coil split), a guitar with 2 humbuckers and a single coil and the same with active pickups.
    I’ve searched days looking for wiring diagrams using the above mentioned 2-humbucker 5-way switching used on Ibanez RG‘s. None seem to exist.

    I’ve contacted both Ibanez and Fernandes about this but both left my questions unanswered.

    Therefor I decided to use the LP switching, give up splitting the neck pickup and try to use a Push/Pull pot to split the V8 pickup. This pickup features 3 conductors instead of the usual 4 or 5. I figured that the red was Hot, the bare Ground and the white would than be both coils attached to each other making it able to split the coils. However it doesn’t really sound that single coily to me (which is the pickups fault probably) so I left that white conductor unwired.

    After I hooked up the pickup I noticed it was out of phase with the neck pickup. Not my favorite sound. Another thing I noticed was that the Sustainer’s Normal mode worked great but the Harmonic mode was weak. When I swapped the Ground and Hot wires of the bridge pickup both pickups were in phase with each other, but the sustainer worked in the opposite direction, having a powerful Harmonic mode but a weak Normal mode.

    Here I decided to go with best of both worlds and convert the unused push/pull switch to a phase switch on the bridge pickup. This switch now also functions as the mode switch for the sustainer giving both options with strong results.

    Here’s something important:
    Everything is connected to the circuit board with wiring clips. Each wire is fitted with a tiny metal clip which is housed (sometimes together with a few other wires) in a white clip that’s clipped onto it’s counterpart on the board. Although every wire delivered comes with these clips the bridge pickup of course doesn’t feature these metal clips. Searching for them is highly annoying and I had the luck I had an old unused bass-preamp laying around which featured the same wiring clips, so I could use those wires to solder to the pickup conductors.

    Things to consider when installing a Fernandes Sustainer kit:
    -You will most likely need to route a large cavity in your guitar to make room for the circuit board.
    -For ease of installation, stick to one of the 3 schematics provided with the instructions.
    -For ease of installation, use a Fernandes, Dimarzio, Seymour Duncan or EMG bridge pickup for these feature clear instructions in the manual how to wire them.
    -Make sure you get some spare metal wiring clips of the right size.
    -When one of the modes remains weaker than the other, consider using a phase switch on the bridge pickup.

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    written by Sebas Honing

  • Marshall MS-2 checksound on soundcloud.com

    For us guitarists, there are lot of ways in introduce our music to world. this time I’m using soundcloud instead of YouTube to share what really it sounds like. i made a playlist about this, not too deep in details since this mini pocket amp (?) is simple gear for our needs in practicing our guitar learning. but this mini amp somehow satisfies me inside my room (this marshall ms-2 rocks ! ). so here they are, some  sound samples:
    Marshall MS-2 clean set 1 – volume at 9 o’clock, tone at 12 o’clock , clean mode

    Marshall MS-2
     clean set 1

     clean set 2 – volume at 12 o’clock, tone at 12 o’clock , clean mode

    Marshall MS-2 clean set 2
     clean set 2

     clean set 3 – volume at 5 o’clock(full), tone at 12 o’clock , clean mode

    Marshall MS-2 clean set 3
     clean set 3

     Marshall MS-2 OD set 1 – volume at 9 o’clock, tone at 12 o’clock , OD mode

    Marshall MS-2 OD set 1
     OD set 1

     OD set 2 – volume at 12 o’clock, tone at 12 o’clock , OD mode

    Marshall MS-2 OD set 2
     OD set 2

     OD set 3 – volume at 5 o’clock(full), tone at 12 o’clock , OD mode

    Marshall MS-2 OD set 3
     OD set 3

    for this record purpose I’m using my fender telecaster spalted maple guitar and my Zoom Q3HD camcoder directly without any edits (and without amazing guitar licks, one thing i totally forgot about).

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    umm, actually i put the marshall upside down for this record purpose, so the right picture is right down below:

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    well, i guess anyone who read this hopefully get some thoughts about this mini amp. here i share you the checksound playlist  on soundcloud.com

    good day virtuosos!

  • Assembling an Electric Guitar – neck and body

    yeah, i should put more details on the blog post title but actually i want to show you how easy assembling guitar can be. what i got here was a separated squier telecaster neck and pre-wired telecaster body. the only thing you need here is one screwdriver and you can put them into one piece of beautiful telecaster.

    squier telecaster
    Assembling an Electric Guitar – neck and body

    just put them together and,

    squier telecaster

    put the plate and the screw, then tighten them X way.

    squier telecaster

    once it is done, put the strings

    squier telecaster

    now, the last thing you need to do is take the last picture of your work and you can admire it while you’re playing it

    squier telecaster

    okay… what so special about this? nothing, yes, NOTHING

    all i want to say is, guitars can be so simple without decreasing our respects to this holy grail. and wonderful thing about telecaster is. unlike other set-neck guitars, telecaster can be so great since you can get its parts separately, highly customized as your wishes in such an easy way… this guitar is so popular yet it still give its best contributions to every guitarists style of playing.

    enjoy telecasters!

  • steve vai, sexy june six

    steve vai, sexy june six

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    what i got for you in June is the sexy guitarist Mr. Steve Vai. I’m not the biggest fan of him, but his work put him between my notable guitarists top list with all my respect. born in June 6 1960, Steven Siro Vai began his guitar learning at the age of 13 and took guitar lesson from Joe Satriani in 1974. he met some notable virtuosos and musicians where those moments were his vital parts in his own great work and stylish guitar playing.

    “I enjoy challenging myself to come up with new ideas that I believe are unique.” – steve vai

    Vai started his recording career in 1980 playing with Frank Zappa and has since recorded and toured with Alcatrazz, Whitesnake, David Lee Roth and Public Image Ltd. Since 1983 Vai also released his own studio albums. His discography consists of eight studio albums, two EP’s, two special albums, eight live albums, twelve soundtracks, twenty compilation albums and seven videos. Vai has been awarded three Grammy Awards and forty other awards. Vai also appeared as a guest musician on forty-four albums, playing with artists like Alice Cooper, Ozzy Osbourne and Gregg Bissonette and most recently for the second time with Joe Jackson.

    his creative use of the floating vibrato is possibly the most thing people acknowledged by. and he’s best at it. melodic parts he used create odd-futuristic style, yet he likes to mimicking human voices and other unusual sound. i think that kind of style which makes him as an ibanez guy. his signature Ibanez JEM guitar series clearly said that.

    one interesting thing is that he is a vegetarian and says a great thing about it:

    It has affected my music in a way I believe that what we put in our bodies has a reflection on the way we think. And the way we think has a reflection on what we create. So I can’t tell you consciously how being a vegetarian affected my music but I’m sure it has. I think everyone has to find what’s right for them. I don’t judge anybody for what they eat. That’s their world and everybody has to find what resonates with them.

    ever wonder how it tastes? go ask steve vai

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    well, honestly i knew this guy as one of G3 at first, then the next thing i know is that this guy is one of a kind, so far..
    great man. happy birthday sir