“Only they who believeth in their guitar quest shall be granted passage”

Author: bay aji

  • Why Women, Female guitarists, Deserve the Spotlight in the Guitar World

    Why Women, Female guitarists, Deserve the Spotlight in the Guitar World

    The guitar — a timeless symbol of freedom, rebellion, and musical passion — has long been linked to the image of male rock legends. But here’s the truth: some of the most talented guitarists alive today are women, and they’re still not getting the recognition they deserve.

    This lack of visibility isn’t because women lack skill or dedication. It’s because the guitar industry has been shaped by decades of gender stereotypes, industry bias, and cultural barriers that keep female guitarists from getting equal exposure.

    It’s time to change that.

    The Historical Stereotype Problem

    Female Guitarist Vs Male Guitarist
    Female Guitarist Vs Male Guitarist

    From the 1950s onward, electric guitars became tied to a “masculine” image. Rock, blues, and metal were marketed as male-driven genres, with icons like Jimi Hendrix, Eric Clapton, and Slash dominating the spotlight. Meanwhile, women were often pushed toward “softer” instruments or singing roles, creating fewer role models for the next generation of female players.

    This stereotype created a vicious cycle: fewer women picked up guitars, and the absence of women on big stages reinforced the false idea that guitar mastery is a man’s game.

    Industry Gatekeeping and Media Bias

    The music industry has historically played favorites — and women were rarely on that list. Record labels, festival organizers, and music magazines consistently prioritized male guitarists. Even trailblazers like Nancy Wilson, Joan Jett, and Lita Ford faced constant doubt about their skills, often judged more for their looks than their music.

    Just look at guitar magazine covers, major endorsement deals, and headline festival slots — women are still underrepresented, and that’s not because of talent. It’s because of outdated thinking.

    Cultural Barriers in the Guitar Community

    The challenges aren’t just in the spotlight — they start at the local level. Many women report feeling unwelcome in guitar shops, sometimes treated as though they “don’t belong” or are shopping for someone else.

    Female Guitarist Gap To Men Guitarist
    Female Guitarist Gap To Men Guitarist

    The gear industry doesn’t help much either. Most guitars, straps, and accessories are designed and marketed for men, with little attention to ergonomic or aesthetic features that might appeal to a wider audience. These subtle barriers discourage many talented women from pursuing the instrument.

    Social Media: A Platform and a Challenge for Female guitarists

    Today’s digital era has opened new doors. Female guitarists like Sophie Lloyd and Yvette Young have built huge followings online, proving that raw skill can reach audiences without traditional industry approval.

    Several notable female guitarists emerged in the 1960s even now got more attentions, including Sister Rosetta Tharpe, often hailed as the “Godmother of Rock & Roll,” and Joan Baez, a prominent figure in the folk music scene, thanks to the internet. Other influential women guitarists from that era include Bonnie Raitt, who found her blues roots through the folk music of the time, and Elizabeth Cotten, whose unique “Cotten picking” style gained recognition. Memphis Minnie, though primarily known for her earlier work, continued to be an influence in the 60s with her electric blues guitar.

    But even here, women face unique obstacles: comment sections that focus on appearance instead of technique, accusations of “faking it,” and algorithms that often push established male creators higher in feeds.

    Breaking the Cycle for Good

    The good news? The tide is turning. Girls Rock Camps, inclusive online communities, and forward-thinking brands are starting to amplify female talent. And more women than ever are picking up guitars, inspired by fearless role models like St. Vincent, Kaki King, and Orianthi.

    But change won’t be complete until:

    • Media outlets feature more Female guitarists in covers, interviews, and videos.
    • Gear brands sign female players to major endorsement deals.
    • Festivals give women guitarists equal billing on main stages.
    • Fans share, stream, and support women-led guitar projects just as enthusiastically as male acts.
    Female Guitarist

    Final Note: The Guitar World Needs All Its Voices

    The guitar’s magic lies in its diversity — every player brings a different story, tone, and energy. If we silence half the talent pool, we’re robbing music of its full potential.

    By dismantling stereotypes, opening doors, and giving women guitarists the spotlight they deserve, we can create a richer, more inclusive, and more inspiring guitar community for generations to come.

    The next guitar hero could be anyone. Let’s make sure the world sees her.

  • Samick Greg Bennett D7-12CE Acoustic-Electric Guitar Review

    Samick Greg Bennett D7-12CE Acoustic-Electric Guitar Review

    The Samick Greg Bennett D7 12CE is a 12-string acoustic-electric guitar that combines traditional craftsmanship with modern versatility, offering musicians a powerful, budget-friendly instrument. Designed by Greg Bennett and manufactured by Samick, a South Korean company with a reputation for quality affordable guitars, the D7/12CE is part of the Beaumont series, paying homage to the iconic dreadnought style. In this review, we’ll explore its design, sound, playability, electronics, and overall value to help you decide if it’s the right fit for your musical journey.

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Back

    Design and Craftsmanship

    The Samick Greg Bennett D7 12CE boasts a classic dreadnought body, known for its large size and robust projection, making it a staple in acoustic guitar design. Its key specifications include:
    – Body Shape: Dreadnought
    – Top: Solid cedar
    – Back and Sides: Rosewood (laminate, 3-piece back)
    – Neck: Nato (Eastern mahogany)
    – Fretboard: Rosewood, 12” radius
    – Scale Length: 25.5” (64 cm)
    – Frets: 20
    – Tuners: Grover A102C, 14:1 ratio
    – Bridge: Rosewood
    – Electronics: Built-in ClearWave 10 preamp and pickup system
    – Inlays: Slotted square
    – Binding: 8-ply
    – Nut Width: 1 11/16”

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Clear Wave 10 Preamp
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Clear Wave 10 Preamp
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Inside Label
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Inside Label

    The solid cedar top paired with rosewood back and sides delivers a rich, warm tone with excellent harmonic sparkle, particularly in the high end. The 3-piece rosewood back, with its decorative seams, adds aesthetic appeal, while the nato neck ensures durability and stability. The rosewood fretboard feels smooth, and the Grover tuners provide reliable tuning stability, crucial for managing the tension of 12 strings. The craftsmanship is impressive for the price, with clean binding, a glossy natural finish, and attention to detail that rivals more expensive models.

    However, some used models have been noted to show minor cosmetic blemishes, such as finish imperfections near the neck, though these don’t affect playability or sound.

    Sound and Performance

    Samick Greg Bennett D7 12CE guitar shines with its balanced, resonant tone, characteristic of a 12-string dreadnought. Unplugged, it produces a full, vibrant sound with a strong low-mid range and bright, shimmering highs, thanks to the cedar top and rosewood back. The dreadnought body provides ample volume and projection, making it ideal for filling a room without amplification. It excels in genres like folk, country, pop, and blues, where the 12-string’s lush, jangly timbre adds depth to chord progressions and arpeggios.

    When plugged in, the built-in preamp and pickup system captures the guitar’s natural warmth effectively. The preamp offers bass, mid, and treble controls, allowing players to shape their amplified tone for live performances or recording. Feedback is minimal even at higher volumes, making it stage-ready. The electronics are reliable, delivering a clean, nuanced sound that complements both fingerstyle and strumming.

    Playability

    Samick Greg Bennett D7 12CE offers a comfortable playing experience despite the inherent challenges of a 12-string guitar. Its slim neck profile and low action make fretting and bending easier, though the 1 11/16” nut width may feel slightly narrow for players with larger hands. The rosewood fretboard and 20 frets provide ample range for both chords and lead work. The 25.5” scale length is standard for dreadnoughts, balancing tension and playability for the doubled strings.


    While 12-string guitars can be more demanding to play due to increased string tension, the D7/12CE’s setup is forgiving for beginners and intermediates. A professional setup is recommended for optimal performance, especially for used models, to ensure the action and intonation are dialed in.

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Front
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Headstock Back

    Value and Availability

    Priced between $250 and $400 new (with used models as low as $150-$250), Samick Greg Bennett D7 12CE offers exceptional value. It competes with brands like Yamaha, Alvarez, and Epiphone in the budget 12-string market but stands out with its solid top, Grover tuners, and versatile electronics. Compared to Samick’s D7 (non-electric) or Avion series, the D7 12CE’s amplified capabilities and dreadnought power make it a better choice for gigging musicians.
    The guitar is available through retailers like Reverb, Guitar Center, Sweetwater, and smaller music shops. Its relative scarcity in big-box stores reflects Samick’s focus on smaller, specialized retailers who prioritize quality service.

    On forums, opinions vary. Some players praise its sound and value, with one user calling it a “great deal” for a 12-string at $400, while others suggest saving for a Taylor or Martin for superior quality. However, for budget-conscious players, the D7/12CE’s combination of features and affordability is hard to beat.

    Pros and Cons

    Pros:
    – Rich, balanced 12-string tone with excellent projection
    – Solid cedar top and quality materials for the price
    – Reliable Grover tuners and built-in electronics
    – Comfortable playability with low action
    – Affordable, typically $250-$400 new
    – Suitable for live performances and recording

    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Body Back
    Samick Greg Bennett D7 12 Ce Acoustic Electric Guitar Body Back

    Cons:
    – Laminate back and sides may lack the resonance of solid wood
    – Slightly narrow nut width for some players
    – Used models may have minor cosmetic imperfections
    – Less brand prestige compared to Taylor or Martin

    Who Is It For?

    The Samick Greg Bennett D7-12CE guitar is ideal for beginner to intermediate players seeking an affordable 12-string acoustic-electric guitar with stage-ready features. It’s perfect for singer-songwriters, folk and country players, or anyone wanting the lush, complex sound of a 12-string without breaking the bank. While it may not match the resonance of premium solid-wood guitars, its quality construction and versatility make it a standout in its class.

    Thoughts

    The Samick Greg Bennett D7-12CE guitar is a compelling choice for musicians on a budget who need a versatile 12-string guitar. Its solid cedar top, rosewood back, and reliable electronics deliver a rich, balanced tone suitable for both acoustic and amplified settings. With comfortable playability and thoughtful design, it punches above its price point, making it a worthy contender in the entry-level acoustic-electric market. Whether you’re strumming in a coffee shop or recording in a studio, the D7-12CE offers quality and value that’s hard to overlook.

  • THE HVRT LIFE: Malang’s New Voice in Melodic Hardcore

    THE HVRT LIFE: Malang’s New Voice in Melodic Hardcore

    Emerging from the heart of Malang’s thriving underground music scene, THE HVRT LIFE is set to make waves in the world of melodic hardcore. Formed in May 2025, the band was born from the creative vision of Endruw (vocals) and Innot, guitarist of Fasik and now the lead guitarist of this project. Together, they envisioned a band that could merge raw emotion with the dramatic, bittersweet essence of hardcore — music that not only hits hard, but also resonates deeply with the listener.

    The lineup came together quickly. Veteran drummer Joshua — also known for his work with Malang’s legendary hardcore act Children Of Terror — brought a wealth of experience and relentless energy behind the kit. Yoga, former guitarist of Alice In Wonderland, joined as the band’s second guitarist, adding rich layers of harmony and texture to the band’s signature sound.

    The Hvrt Life Band Melodic Hardcore
    The Hvrt Life Band Melodic Hardcore

    The name THE HVRT LIFE carries a personal story. The stylized spelling of “hurt” reflects Endruw’s belief that pain is a universal teacher. Every person encounters hardship in life, and through these struggles comes a deeper understanding of what it truly means to live. It is this philosophy that fuels the band’s music — transforming vulnerability into strength, and sorrow into anthems of resilience.

    Sonically, THE HVRT LIFE draws on the wide spectrum of melodic hardcore influences, combining soaring melodies, emotionally charged lyrics, and unrelenting rhythms. Their sound is both aggressive and introspective — the perfect balance of raw intensity and heartfelt storytelling. With their debut material currently in development, the band is poised to deliver a powerful statement, not just to the Indonesian scene, but to melodic hardcore audiences worldwide.

    THE HVRT LIFE on Youtube

    Follow THE HVRT LIFE on social media for updates, music releases, and live show announcements.

  • Zoom A2.1u Acoustic Guitar Effects Pedal

    Zoom A2.1u Acoustic Guitar Effects Pedal


    Zoom A2.1u Acoustic Guitar Effects Pedal with USB is a versatile multi-effects pedal designed specifically for acoustic guitarists, offering a robust set of tools to enhance tone and performance. With its 32-bit DSP processing, 96kHz sampling rate, and a wide array of effects, this pedal aims to restore the natural resonance of an acoustic guitar while providing creative flexibility for live and studio settings. After exploring its features, sound quality, and usability, here’s a comprehensive review based on user feedback and product specifications.

    Overview

    The Zoom A2.1u is part of Zoom’s A2 series, designed to address the common issue of acoustic guitar pickups producing a thin, string-heavy sound. It incorporates advanced sound modeling to emulate the body resonance and spatial ambiance of a miked acoustic guitar, even when played through an amplifier or PA system. The pedal includes 47 effects across eight modules, 40 preset patches, 40 user-programmable patches, a built-in tuner, a drum machine, and an expression pedal for real-time control. Additional features like a USB interface for recording and an XLR output for direct PA connectivity make it a compelling choice for gigging musicians and home recordists alike.


    Sound Quality

    Zoom A2.1u excels at enhancing the natural tone of an acoustic guitar, particularly when used with piezo or magnetic pickups. Its 24-bit/96kHz sampling and ZFX-3 32-bit DSP chip deliver clean, high-fidelity sound with minimal noise (100dB signal-to-noise ratio). The pedal’s modeling technology simulates the sonic characteristics of iconic guitars like the Martin D-28, Gibson SJ-200, and Ovation Adamas, allowing players to emulate signature tones. Users praise the clarity of the XLR output and the warmth added by effects like the tube preamp simulation and subtle chorus settings.
    However, the reverb effects, particularly the Hall Reverb, receive mixed feedback. Some users find them “washed out” or “muddy,” lacking the depth needed for professional live settings. The compressor and limiter, while functional, are criticized for limited parameter control, missing traditional settings like attack, decay, and threshold, which can make fine-tuning difficult for discerning players. Effects like flanger and phaser are seen as less practical for acoustic gigs, with some users suggesting Zoom should have focused on refining core effects like reverb, EQ, and compression instead of including “cheesy” extras.
    Standout effects include the delay (up to 5000ms), which pairs well with reverb for lush soundscapes, and the chorus options (mono, stereo, and ensemble), which add body without overpowering the guitar’s natural tone. The feedback control feature is a highlight, effectively detecting and attenuating feedback points, making it a valuable tool for live performances.


    Features

    Zoom A2.1u is packed with features tailored for acoustic guitarists:
    Effects and Modules: 47 effects, including compression, EQ, modulation, delay, reverb, and guitar modeling. Up to eight effects can be used simultaneously across eight modules.
    Global Module: Includes AMP SELECT (combo, bright combo, stack) and PICKUP SELECT (piezo, magnetic, single-coil, humbucker) to optimize the pedal for different setups.
    EQ Flexibility: Offers a six-band linear EQ or a two-band parametric EQ, optimized for acoustic guitar frequencies (e.g., peaking filters at 320Hz, 500Hz, 1.2kHz, 6.3kHz).
    Expression Pedal: Allows real-time control of parameters like volume, modulation rate, or delay/reverb mix, enhancing live performance dynamics.
    USB Interface: Enables direct recording to a computer, with included Cubase LE software for DAW integration.
    Tuner and Drum Machine: A chromatic tuner with a 435–445Hz calibration range and 40 PCM-based rhythm patterns for practice or live backing.
    XLR Output: Provides a balanced connection with pre/post switch and ground lift for PA or mixer integration without a DI box.
    Build: Sturdy metal chassis with rubber damping ensures durability, though some users note the 2.65–3.44-pound weight (depending on source) feels substantial for a compact pedal.


    Ease of Use

    Zoom A2.1u’s interface is intuitive, with three analog-style knobs for adjusting parameters like compressor sensitivity, delay feedback, or patch levels. The two-digit LED display is functional but requires referencing the manual to decode two-letter parameter codes, which can be a learning curve for beginners. Programming patches is straightforward, and the fast patch change speed (8ms) ensures seamless transitions during performances. The expression pedal and footswitches are responsive, and the tuner is easily accessible by pressing both footswitches simultaneously. However, the sheer number of effects can feel overwhelming, with some users preferring simpler setups for a natural acoustic sound.

    Build Quality and Value

    Zoom A2.1u’s solid metal chassis and shock-absorbent rubber damping make it roadworthy, with users reporting durability even after years of use. It operates on four AA batteries (lasting ~6–7.5 hours) or an optional AC adapter, adding flexibility for gigs. Priced around $150–$180 when available (now discontinued), the A2.1u offers excellent value for its feature set, especially compared to single-effect pedals or DI boxes. However, its value is slightly diminished for players who find the reverb and compressor lacking, as they may need additional gear for professional applications.

    Pro

    Versatile Tone Shaping: Guitar modeling, chorus, and delay effects add depth and variety to acoustic tones.
    Feedback Control: Effective for live settings, with automatic or manual detection.
    USB and XLR Connectivity: Ideal for recording and PA integration.
    Built-in Tuner and Drum Machine: Convenient for practice and performance.
    Durable Build: Sturdy construction suitable for gigging musicians.
    Fast Patch Changes: 8ms switching speed ensures no lag in live settings.

    Cons

    Mediocre Reverb: Hall Reverb and other reverbs can sound muddy or lack depth.
    Limited Compressor/Limiter Controls: Lacks detailed parameters, frustrating for pros needing precise adjustments.
    Overabundance of Effects: Some effects (e.g., flanger, phaser) feel unnecessary for acoustic use, diluting focus on core features.
    Learning Curve: Two-letter display codes require manual consultation, which may slow initial setup.
    Discontinued: Availability is limited to used markets, potentially increasing costs for mint condition units.


    User Feedback

    Users generally praise Zoom A2.1u for its sound quality and versatility. One reviewer called it an “awesome, amazing acoustic guitar effects pedal,” highlighting its ability to mimic signature guitar sounds and enhance playing sensitivity when paired with a quality acoustic amp like the Crate CA125D. Another user appreciated its clean XLR output and customizable patches but noted the reverb and compressor shortcomings for professional gigs. On forums like The Acoustic Guitar Forum, players value the tuner and chorus/reverb effects but often bypass most effects for a natural sound, suggesting the pedal’s strength lies in subtle enhancements rather than extreme effects. Some report no noise issues, countering rumors of hum or interference, provided the pickup system is clean.


    Conclusion

    The Zoom A2.1u Acoustic Guitar Effects Pedal is a feature-rich, durable, and affordable option for acoustic guitarists seeking to enhance their sound for live performances or recording. Its strengths lie in its guitar modeling, clean output, and practical features like feedback control and USB connectivity. While the reverb and compressor fall short for some professional applications, the pedal’s versatility, built-in tuner, and drum machine make it a valuable all-in-one solution for hobbyists and semi-pros. For players who prioritize a natural acoustic tone with subtle effects, the A2.1u delivers, but those needing pristine reverb or advanced compression may require additional gear. Though discontinued, it remains a solid choice on the used market for its price and functionality.

    Rating: 4/5

    Zoom A2.1u Recommended for: Acoustic guitarists looking for a compact, multi-purpose pedal for gigs, practice, or recording, who don’t mind tweaking to overcome reverb and compressor limitations.